Á la Bodinière, 1894 Thèophile-Alexandre Steinlen (French, 1859-1923) Black and orange ink on wove paper, mounted on fabric, 23 1/8" x 31" VMFA The Maxine Hornung Collection, Gift of Frank Raysor Magnet, 3 1/8" x 2 1/8"

Le Louvre, 1936 Albert Marquet (French, 1875 - 1947) Collection of Mr. and Mrs. Paul Mellon Magnet, 3 1/2" x 2 1/2" Laminated Made in the USA

Measures 3 1/2" x 2 1/2" Concept: Michael Guajardo Artist: Robert Thomas Wiebe-King AndyCat6, 2019 Inspired by the Warhol Cat Series, and one of our VMFA Shop cats!

Magnet 2 1/2" W x 3 1/2" H Bouquet of Flowers with Sunflower, a Laurel Wreath, Sprig of Orange, Birds and Insects, 1674 Jan Davidsz. de Heem (Dutch, 1606–1684) Oil on canvas, unframed: 45 x 54¾ in. Virginia Museum of Fine Arts, Richmond The Jordan and Thomas A. Saunders III Collection (L2020.6.16)

Cat Lying on the Floor by Thèophile-Alexandre Steinlen (French, 1859-1923) Soft ground etching, drypoint, and aquatint on zinc, printed in black brown ink on laid paper The Maxine Hornung Collection, Promised gift of Frank Raysor Virginia Museum of Fine Arts, Richmond, VA Magnet, 3 1/8" x 2 1/8" Laminated Made in the USA

3" x 4" lucite magnet. This oval lucite magnet features Kehinde Wiley’s 2022 painting titled Christian Martyr Tarcisius (El Hadji Malick Gueye), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy.

3" x 4" lucite magnet. This rectangular lucite magnet features Kehinde Wiley’s 2022 painting titled Morpheus (Ndeye Fatou Mbaye), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy.

3" x 4" lucite magnet. This rectangular lucite magnet features Kehinde Wiley’s 2022 painting titled The Death of Hyacinth (Ndey Buri Mboup), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy.

3" x 4" lucite magnet. This oval lucite magnet features Kehinde Wiley’s 2022 painting titled The Wounded Achilles, first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy.